Newnham
Weekend
It was under a
clear and sunny September sky that one hundred Persephone
readers gathered in Cambridge, to walk the same corridors
and share the same rooms as Amy Levy and Sylvia Plath
and eat in the dining hall where, in 1928, Virginia
Woolf gave one of the lectures that became A
Room of One’s Own: the first Persephone
Conference was held to commemorate this event.
Saturday morning began with Henrietta Twycross-Martin
talking about that Persephone stalwart, Miss
Pettigrew Lives for a Day, as well as
the other novels by Winifred Watson: her work was ‘more
feminine than feminist’ but does contain
feminist messages, promoting companionate marriage
as an ideal and arguing for financial independence
for women.
Elaine Showalter discussed A Room of One’s
Own and the key images she herself takes
from it: that the room is a symbolic space for
female contemplation not isolation, and that,
perhaps surprisingly, it stresses the importance
of more materialist needs: good food, and financial
independence. Elaine also brought out the negative
aspects of the ‘room’ as an image
of seclusion and suicide, such as that suffered
by ‘Judith Shakespeare’. But the
greatest strength of the book is that each generation
of feminists reads it differently, as an enduring
text with unending interpretations.
Lyndall Gordon continued the discussion of Room and
its attitudes towards the true nature of women
and fiction. She talked of women’s writing
often being seen as encroaching on male ‘territory’,
and of the male bias in both history and fiction,
where ‘important’ works are still large,
fact-filled tomes and history constitutes the Crusades
and discussions in the House of Commons. Woolf
was concerned with women, alone and together, and
how female creativity differs from male creativity,
and is elusive: ‘all half lights and profound
shadows.’
On Saturday afternoon Jenny Hartley talked about
the evolution of the Reading Group, using photographs
that ranged from a frieze on Burgos Cathedral showing
the Apostles turning to each other to talk about
a book to the five pound note which, unknown to
most of us, shows Elizabeth Fry with a prison reading
group to eighteenth- century female spinners who
employed someone to read aloud to them, ending
with the modern reading group.
In the evening a magnificent dinner was held in
homage to the (notoriously less nice) meal described
by Virginia Woolf: pumpkin soup, boeuf Wellington
(a defiantly masculine dish) and prune fool (recipe
by Jane Grigson, who was at Newnham). Afterwards
Katherine Whitehorn talked about male and female
differences – men not having the ability
to listen and empathise as women do – and
whether this will ever change, thereby allowing
women to be fully integrated into the male-structured
workplace.
Sunday morning began with Anne Sebba’s talk
on women and fact (rather than fiction), giving
an overview of women reporters and their continuing
fight against sexism (women had problems obtaining
accreditation even in the 1960s). A firm believer
that women do see and report stories differently,
Anne showed how they often cover the real humanitarian
stories behind war more sympathetically than men.
Pamela Norris’s talk took the revolutionary
step of comparing the position of the 12th century
nun Heloise with the 20th century poet Sylvia Plath,
united by ‘doomed love’ and by the
age-old conflict between love and work. Heloise
was strangely modern in her attitude towards a
love union (‘Love is preferrable to wedlock’)
while Plath was groomed for and desperate to conform
to the norm of dutiful wife and mother.
Next Julia Neuberger gave an overview of the history
of Jewish female writers in England from Grace
Aguilar to Amy Levy to Betty Miller, writing as
outsiders from the point of view of sex, ethnicity
and religion. Julia talked eloquently and passionately
of the difficulty of portraying their situation
as Jewish women, and the frequently ambivalent
attitude in their works towards anti-semitism,
given their need to be accepted by their readers.
Baroness Onora O’Neill, our host as Principal
of Newnham, then spoke about equality versus exclusion,
arguing that to fight for perfect equality is ill-advised,
if not impossible, whereas to fight against exclusion
is a necessary cause, and one argued by Virginia
Woolf. Pointing out that to fight for equal income
for all would mean a society of no incentives,
and to fight for equal upbringing for all might
logically lead to the abolition of the family unit,
Onora O’Neill then went on to look at the
practical difficulties of striving for equality:employing ‘fairness’ and
fighting against ‘exclusion’ can take
us further than fighting for equality.
A delightful talk on Gwen Raverat’s Cambridge
childhood followed, as Anne Harvey wove a tale
of turn-of-the-century Cambridge and an atmosphere
of ‘tea-parties, boat-races and May week
picnics in tight-bodiced silk dresses’ overtook
the room. Described by Virginia as ‘all Cambridge,
all Darwin, solidity, integrity, force and sense,’ Gwen
Raverat was a Bloomsbury figure who, in Period
Piece, described Newnham Grange with its romantic
associations and Aunt Etty, who was always ‘going
away to rest, in case she might be tired later
on in the day’.
Charlie Lee-Potter ended the weekend with further
discussion of women and fiction, arguing against
Louise de Salvo’s reconstruction’ of
Woolf’s unfinished novel Melambrosia, and
for a writer’s intellectual freedom to choose
whether or not to publish a book. She pointed out
the large number of women on this year’s
Booker short-list, ending her talk by discussing
the sexism women writers still have to face (one
journalist dismissed this years Booker short-list
as ‘girly’).
Finally Nicola Beauman took the floor to talk
about Persephone Books, and there was a spirited
discussion about participants’ favourite
and least-favourite titles – and about how
many they owned! The response to the weekend was
overwhelmingly positive: readers found it ‘stimulating’, ‘thought
provoking’, ‘uplifting’, ‘magical’, ‘an
idyll’ – and we look forward to seeing
some of them next year, when we hope the weather
will be equally magical.
Ordering
books from Persephone
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You
can see a complete list of Persephone
Books and order online here. Or you can email
us, telephone on 020 7242 9292, send a fax to 020
7242 9272 or write to the following address: Persephone Books
Ltd, 59 Lamb's Conduit Street, London WC1N 3NB
All Persephone Books cost £10 each plus £2 postage (see
more information on ordering).
We can now send a book a month for six or twelve months - more
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