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Letter
Fifty Persephone readers came to the lunch
in Oxford celebrating the publication of Princes
in the Land by Joanna
Cannan; Lyndall Gordon
and Charlie Lee-Potter, both Oxford residents,
spoke most interestingly about the book. The
former pointed out how convincing Princes is
about our mothers' generation and about that
marginal state of mind, recalled in her mother's
habitual self-definition, 'I'm only a housewife
at the bottom of Africa.' And Lyndall claimed
to be unsuited as a foreigner to comment on such
an English book, remarking on her puzzlement
over apparently secret codes of manners such
as pulling on gloves in the right way.
A novel such as Love in a Cold Climate also confirms, in its witty way, the marginality
of the wife and domesticity in the Oxford of the ‘30s and ‘40s: Lyndall
read aloud Nancy Mitford's account of a ghastly dinner party in suburban Banbury
Road (the site of our lunch) where the classy bride finds that she is dressed
wrongly, that the food is vile and that the only good thing is the port - when
women have to retire from the dining-room.
Lyndall ended by referring to Mary Wollstonecraft's ideal of domesticity in the
late eighteenth century, so far ahead of its time, ahead of where we stand today,
in that she suggests that domesticity should be politicised as a counter to public
violence and governance based in contests of power i.e. domesticity should no
longer be marginal but take its place in the centre of the political arena.
Charlie Lee-Potter then talked about the Oxford novel in general and Princes
in the Land in particular as the definition of the insider versus the outsider.
From Jude in Thomas Hardy's Jude the Obscure to John Kemp in Philip Larkin's
Jill, from Charles in Brideshead Revisited to Colin Dexter's Inspector Morse,
novelists have used Oxford to expose the anxieties of those who do not belong.
She described Princes in the Land as a restrained but unashamedly political novel,
in which Patricia wrestles with the knowledge that she has no friends and no
status. As her hair fades from
vibrant red to invisible grey, she sinks beneath her husband and children's egotism.
Charlie went on to point out that the archetypal Oxford insider is J.R.R. Tolkien
and his Inklings friends. Tolkien once described himself as a ‘hobbit in
all but size. I like gardens, trees and unmechanised farmlands. I smoke a pipe
and like good plain food (unrefrigerated).’ Tolkien, the personification
of the tweed-jacketed, pipe-smoking, elbow-patched, English, Christian, intellectual
Oxford male insider would have derided Patricia's son for becoming a refrigerator
salesman, underlining yet again Patricia's role as the outsider. But Patricia
triumphs in one sense. Joanna Cannan succeeds in making her readers not just
sympathetic to Patricia's plight, but deeply
empathetic too.
After the lunch there was an Oxford Festival event at which I ‘talked up’ Dorothy
Whipple as hard as I could, and also mentioned Rex Whistler; I then discovered
that he is going to be the subject of an exhibition in Brighton from April to
September this year: www.brighton.virtualmuseum.info.The
June books, Alas, Poor Lady by Rachel Ferguson and Gardener’s
Nightcap by Muriel Stuart have gone off to the printer. Meanwhile we hope
you have a wonderful Easter break, reading and walking and not doing too much.
Some of you, indeed,
will be walking over the South Downs, over the landscape shown in the poster
we have hanging in the shop:
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Nicola Beauman
15 April 2006
Lamb’s Conduit Street |